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The term metaphor by itself can be a metaphor, coming from the Greek time period indicating 'transference (of ownership)'. The user of the metaphor alters the reference in the word, "carrying" it from a person semantic "realm" to a different.

La sustitución o semejanza que establecen busca transmitir una plan de manera rápida y efectiva, resultando más punzantes que una frase construida de manera denotativa o tradicional. Por ejemplo:

En el campo de la literatura, cuando el autor o la autora de un texto poético utiliza satisfiedáforas, no busca transmitir Concepts de manera sintética, sino que tiende a sustituir los términos reales por los imaginarios de un modo que no transmite un significado claro.

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Прехвърляне на човешки черти върху животни или природни явления; свойства на един предмет да се приписват на друг въз основа на подобие или сходство между тях:

A mixed metaphor can be a metaphor that leaps from 1 identification to the 2nd inconsistent with the main, e.g.:

A political cartoon by illustrator S.D. Ehrhart within an 1894 Puck journal exhibits a farm-female labeled "Democratic Social gathering" sheltering from the tornado of political transform. A metaphor is actually a determine of speech that, for rhetorical result, directly refers to something by mentioning A further.

A metaphor can be an implied comparison, as in "the silk in the singer's voice." This is certainly in contrast to the specific comparison of the simile, which makes use of like

Cada par de elementos comparten una semejanza que permite la idealización de la belleza de Dulcinea: ojos con soles, mejillas con rosas, labios con el color del coral, perlas con dientes, y la blancura de la piel se expresa mediante elementos como el mármol y la nieve. 

Cognitive linguists emphasize that metaphors serve to facilitate the idea of 1 conceptual area—typically an abstraction for example "life", "theories" or "Concepts"—as a result of expressions that relate to another, far more common conceptual domain—normally far more concrete, such as "journey", "structures" or "food stuff".

She get more info argues that due to the fact fact is mediated with the language we use to explain it, the metaphors we use shape the planet and our interactions to it.

„каменно сърце“, „златна нива“, „цепя тишината“ и т.н.)

Es una de las figuras retóricas más frecuentes e importantes. Se llama figuras retóricas, literarias o de estilo a las herramientas con que los autores cuentan para construir conceptos o imágenes que no siguen las reglas tradicionales y producir así determinados efectos, segundos sentidos que deben ser interpretados por los lectores.

Според Аристотел метафората е скрито сравнение, основано на принципа на аналогията.